{"id":3024,"date":"2026-01-29T11:02:03","date_gmt":"2026-01-29T11:02:03","guid":{"rendered":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/?page_id=3024"},"modified":"2026-01-29T11:02:03","modified_gmt":"2026-01-29T11:02:03","slug":"gerontius-instructions-praise-to-the-holiest","status":"publish","type":"page","link":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/?page_id=3024","title":{"rendered":"Gerontius Instructions Praise to the Holiest"},"content":{"rendered":"\n

PART 2<\/u><\/strong><\/p>\n\n\n\n

\u201cPRAISE TO THE HOLIEST\u201d (<\/strong>full chorus<\/strong> for BOTH choirs)<\/strong><\/p>\n\n\n\n

Fig 74 – Fig 75:  BOTH CHOIRS<\/strong><\/td><\/tr>
S<\/strong><\/td>BCS \u2013 <\/strong>sing Sop2 part <\/strong>fromFig 74(+6)  PS \u2013S2 ONLY <\/strong>sing Sop2 part <\/strong>fromFig 74(+6): S1<\/strong> sing Sop1<\/strong> part fromFig 74(+8)<\/td><\/tr>
A<\/strong><\/td>omit TOP notes Fig 74(+1 to +4) <\/td><\/tr>
T<\/strong><\/td>omit TOP notes throughout this section <\/td><\/tr>
B<\/strong><\/td>omit TOP notes throughout this section <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Fig 75 – Fig 85:  BOTH CHOIRS<\/strong><\/td><\/tr>
S<\/strong><\/td>BCS<\/strong> – singTOP notes of Sop part <\/strong>fromFig 80(+3 to +7)  PS<\/strong> – singBOTTOM notes of Sop part <\/strong>fromFig 80(+3 to +7)<\/td><\/tr>
Both choirs sing TOP notes of Alto part <\/strong>Fig 85(-4 to -2)<\/td><\/tr>
A<\/strong><\/td>omit LOWER note Fig 76(+7) <\/td><\/tr>
Fig 78: BCS<\/strong> – top notes; PS<\/strong> \u2013 bottom notes<\/td><\/tr>
fromFig 80(+3 to +7)  BCS<\/strong> – singTOP notes of Alto part<\/strong> fromFig 80(+3 to +7) PS<\/strong> – singLOWER notes of Alto part<\/strong><\/td><\/tr>
BCS<\/strong> – singTOP notes of Alto part <\/strong>fromFig 82(+2 to +4)  PS<\/strong> – singLOWER notes of Alto part <\/strong>fromFig 82(+2 to +4)  <\/strong><\/td><\/tr>
Both choirs sing BOTTOM notes of Alto part <\/strong>Fig 85(-4 to -2)<\/strong><\/td><\/tr>
T<\/strong><\/td>omit TOP note Fig 76(+5)  <\/strong><\/td><\/tr>
omit BOTTOM note Fig 78(+3) <\/td><\/tr>
Fig 80(+4): PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
Fig 82: PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
Fig 85(-4 to -2): sing TOP notes of BASS part <\/strong>then back to Tenor part<\/td><\/tr>
B<\/strong><\/td>Fig 77(-4): PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
 <\/strong><\/td>Fig 78(+3): PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
 <\/strong><\/td>Omit TOP note Fig 80<\/td><\/tr>
 <\/strong><\/td>Fig 80(+4): PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
 <\/strong><\/td>Fig 82(+1): PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
 <\/strong><\/td>Fig 83(-3): PS \u2013 <\/strong>TOP notes ; BCS<\/strong> \u2013 BOTTOM notes<\/td><\/tr>
 <\/strong><\/td>Fig 85(-4 to -2): all<\/strong> sing BOTTOM notes<\/td><\/tr>
   <\/td><\/tr>
Fig 86(-1)  – Fig 88:  BOTH CHOIRS<\/strong><\/td><\/tr>
S<\/strong><\/td>BCS<\/strong> – singTOP notes of Sop part <\/strong>fromFig 86(+1 to +3) & Fig 87(+1 to +3) PS<\/strong> – singMIDDLE notes of Sop part <\/strong>fromFig 86(+1 to +3)  & Fig 87(+1 to +3)<\/td><\/tr>
A<\/strong><\/td>BCS<\/strong> – singnotes of Alto part <\/strong>fromFig 86(-1 to +3) & Fig 87(-1 to +3) PS<\/strong> – singLOWER notes of Sop part <\/strong>fromFig 86(+1 to +3) & Fig 87(+1 to +3)<\/td><\/tr>
T<\/strong><\/td>Sing TOP note of Tenor part <\/strong>Fig 86(-1) & Fig 87(-1)<\/td><\/tr>
B<\/strong><\/td>Sing BOTTOM note of Tenor part <\/strong>Fig 86(-1) & Fig 87(-1)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Fig 88- Fig 101:BOTH CHOIRS then from Fig 88(+5), PS=chorus 1; BCS=chorus 2<\/strong><\/td><\/tr>
S<\/strong><\/td>As per score BUT:<\/strong> Fig 98-99 \u2013 continuous soprano parts moving between BOTH Sop chorus parts<\/td><\/tr>
A<\/strong><\/td>Omit BOTTOM notes Fig 88(+2 to +4) then as per score<\/td><\/tr>
T<\/strong><\/td>as per score<\/td><\/tr>
B<\/strong><\/td>Omit TOP note Fig 88 then as per score UNTIL:<\/td><\/tr>
Fig 100(+11 to end) omit BOTTOM note<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

PART 2 \u201cPRAISE TO THE HOLIEST\u201d (full chorus for BOTH choirs) Fig 74 – Fig 75:  BOTH CHOIRS S BCS \u2013 sing Sop2 part fromFig 74(+6)  PS \u2013S2 ONLY sing Sop2 part fromFig 74(+6): S1 sing Sop1 part fromFig 74(+8) … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3024","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/3024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3024"}],"version-history":[{"count":1,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/3024\/revisions"}],"predecessor-version":[{"id":3025,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/3024\/revisions\/3025"}],"wp:attachment":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}