{"id":3039,"date":"2026-02-04T16:13:24","date_gmt":"2026-02-04T16:13:24","guid":{"rendered":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/?page_id=3039"},"modified":"2026-02-04T16:13:25","modified_gmt":"2026-02-04T16:13:25","slug":"angelicals","status":"publish","type":"page","link":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/?page_id=3039","title":{"rendered":"Angelicals"},"content":{"rendered":"\n

PART 2<\/u><\/strong><\/p>\n\n\n\n

Fig 60 – Fig 68 (-2):  PS (S & A only) = Angelicals (Semi-Chorus)<\/strong><\/td><\/tr>
S<\/strong><\/td>As per score including divisi:  <\/em>S2<\/strong> at Fig 63 (-2)<\/td><\/tr>
S1 AND<\/u> S2 <\/strong>Fig 63<\/td><\/tr>
divisi:  <\/em><\/strong>Fig 65 (-3)<\/td><\/tr>
S2<\/strong> sing S2<\/strong> CHORUS part <\/strong>Fig 67 (-3 to -1) <\/em><\/strong><\/td><\/tr>
S1 <\/strong>sing ANGELICALS S1 part <\/strong>Fig 67<\/td><\/tr>
A<\/strong>  <\/strong><\/td>As per score but<\/strong> singA1<\/strong> at Fig 63 (-2) (ie. omit bottom note)<\/td><\/tr>
Fig 63 (+4) \u2013 sing CHORUS Sop1<\/strong> parts (Chorus S2 omitted<\/em>) – then back to Angelicals A<\/strong> part at Fig 64<\/td><\/tr>
Both A1 & A2 <\/strong>Fig 65 (-3) \u2013 sing Sop2<\/strong> CHORUS <\/strong>part (Chorus S1 omitted<\/em>)<\/td><\/tr>
Fig 65 (+5 &+6) \/ (+7 &+8)  \u2013 all S<\/td><\/tr>
Divisi Angelicals <\/em><\/strong>part<\/em>:  <\/em><\/strong>Fig 66 (-3)<\/td><\/tr>
Sing TOP notes only Fig 66 (+4 to +8)  then:<\/td><\/tr>
Sing A1 CHORUS part <\/strong>Fig 67 (-3 to -1) then:<\/td><\/tr>
Sing A1 & A2 divisi ANGELICALS part <\/strong>Fig 67<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Fig 60 – Fig 68 (-2):  BCS (S&A only) = Female Chorus in 4 parts<\/strong><\/td><\/tr>
S<\/strong><\/td>divisi:  <\/em><\/strong>Fig 61 (-1) to Fig 63 (-2) BUT both<\/u> S1<\/em><\/strong>&S2 <\/strong><\/em>sing Fig 61 (+3 &+4) & Fig 62<\/td><\/tr>
ALL Sops <\/strong>sing A1 part: Fig 63(-1) to Fig 65 then:<\/td><\/tr>
ALL Sops <\/strong>sing S1 part Fig 65 (+2 to +4)<\/td><\/tr>
ALL Sops <\/strong>sing A1 part: Fig 65 (+4) to Fig 65 (+9) then:<\/td><\/tr>
ALL Sops <\/strong>sing S2 part Fig 65 (+9) to Fig 66 (+4)<\/em><\/strong><\/td><\/tr>
ALL Sops <\/strong>sing A1 part: Fig 66 (+4) to Fig 67 (-3) then:<\/td><\/tr>
ALL Sops <\/strong>sing S1 part Fig 67 (-3) to Fig 67<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
A<\/strong><\/td>divisi:  <\/em><\/strong>Fig 61 (-1) and onwards to Fig 63 (-2) BUT both<\/u> A1<\/em><\/strong>&A<\/strong>2 <\/strong><\/em>sing Fig 61 (+2 &+3)<\/em><\/strong><\/td><\/tr>
ALL Altos <\/strong>sing A2 part: Fig 63(-1)  to Fig 65 then:<\/td><\/tr>
ALL Altos<\/strong> sing S2 part Fig 65 (+2 to +4)<\/td><\/tr>
ALL Altos<\/strong> sing A2 part: Fig 65 (+4) to Fig 65 (+9) then:<\/td><\/tr>
ALL Altos<\/strong> sing A2 part Fig 65 (+9) to Fig 67<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Fig 68 – Fig 71:  PS (Semi-Chorus)<\/strong><\/td><\/tr>
S<\/strong><\/td>As per score<\/td><\/tr>
A<\/strong><\/td>As per score<\/td><\/tr>
T<\/strong><\/td>Sing TOP note only Fig 69(+4)  then as per score<\/td><\/tr>
B<\/strong><\/td>Sing BOTTOM note of T part Fig 69(+4)<\/td><\/tr>
Sing note C of CHORUS B <\/strong>partFig 69(+5): then back to own part top notes <\/em><\/strong>Fig 69(+6 & +7)<\/td><\/tr>
Divisi Fig 71(-2)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Fig 68 – Fig 71:  BCS (Chorus)<\/strong><\/td><\/tr>
S<\/strong><\/td>Do NOT sing S3 part in this section but only S1 & S2 where divisi occurs<\/td><\/tr>
A<\/strong><\/td>As per score but omit TOP note Fig 69(+4) <\/td><\/tr>
omit BOTTOM note Fig 70(-1) <\/td><\/tr>
T<\/strong><\/td>Sing TOP notes only Fig 69(+1 to +6) <\/td><\/tr>
B<\/strong><\/td>Sing BOTTOM notes of TENOR part<\/em><\/strong> Fig 69(+1 to +5)  then:<\/td><\/tr>
to bottom notes of semi chorus B part  <\/em><\/strong>Fig 69(+6 & +7) then:<\/td><\/tr>
back to own part Fig 69(+9)<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

PART 2 Fig 60 – Fig 68 (-2):  PS (S & A only) = Angelicals (Semi-Chorus) S As per score including divisi:  S2 at Fig 63 (-2) S1 AND S2 Fig 63 divisi:  Fig 65 (-3) S2 sing S2 CHORUS … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3039","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/3039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3039"}],"version-history":[{"count":1,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/3039\/revisions"}],"predecessor-version":[{"id":3040,"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/3039\/revisions\/3040"}],"wp:attachment":[{"href":"https:\/\/www.beccleschoralsociety.co.uk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}